The collection is built on familiar, recognizable pieces, allowing attention to shift toward the transformation of individual details.

Unlike classical deconstructivism, which simulates destruction through deliberate chaos and distortion of forms, we allow things to break down naturally — but in a controlled manner, up to a certain point.
Every raw edge stops its unraveling precisely where we set the stitch in advance.
Each material unravels at its own speed and intensity.
The structure of the garment — and thus its utility — remains intact, but over time, the edges of the form develop a unique contour.
We return function to objects without stripping their lifecycle of visible process.